PDF Ebook Digital Lighting & Rendering, by Jeremy Birn
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Digital Lighting & Rendering, by Jeremy Birn
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Digital Lighting contains strategies for lighting design that are relevant to any digital artist. It presents an awareness of computer lighting models, how they differ from real-world lighting effects, and how to approach 3D lighting projects differently from practical light. Topics covered include: What good lighting can do for you; Light sources; Shading; Shadows; Exposure and content; Color: temperature, correction, mood; Qualities of light; 3-point lighting; Indirect illumination; Multipass rendering and compositing; Lighting in production; and Case studies: natural lighting, interior lighting, character lighting, and effects lighting.
- Sales Rank: #1358461 in Books
- Published on: 2000-07-17
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .63" w x 8.00" l, 1.89 pounds
- Binding: Paperback
- 304 pages
Amazon.com Review
New Riders' [digital] series is performing a tremendous service to the computer animation and graphics community. The newest addition to this family is [digital] Lighting & Rendering. Author Jeremy Birn has long been regarded as a talented computer graphics artist and generous writer, and he's been sharing his techniques and discoveries for years.
Using computer graphic and 3-D tools to create accurate images is easy; using them to produce beautiful, inviting, memorable images requires more than technical skill. [digital] Lighting & Rendering introduces reasons and techniques for using light, shadow, texture, and composition. The book is not software-specific, but demonstrates techniques that are applicable to almost any 3-D graphics application. It is assumed, however, that your 3-D software of choice supports such basic rendering features as soft shadows, light maps, colored gels, depth-of-field blur, motion blur, and so on.
The first half of the book discusses lighting and shadow: lighting workflow; light types; using lighting rigs, such as three-point lighting; shadows and shadow type; and light quality. Lighting--how it's used, where it's placed, the kind of shadow it casts, its intensity--is critical to any image, whether you're creating a photorealistic computer re-creation or a surreal fantasy picture. [digital] Lighting & Rendering explains not just how to use various lighting techniques, but why.
An outstanding chapter on color and its use through composition and lighting offers insight into how colors are perceived and how color affects a scene. The importance of color, hue, and saturation should not be underestimated, and the examples in this chapter, like in every other, drive home that point.
Additional chapters cover exposure, composition and staging, materials and textures, and compositing. There is no accompanying CD-ROM, but the platform-generic nature of the book (and of the subject matter itself) makes it unnecessary. The book is designed to educate and inform; it is up to readers to apply what they learn to their own projects.
Although fewer than 300 pages long, [digital] Lighting & Rendering is an informative and important book, useful to any computer graphics artist. Each page is filled with fascinating, immediately helpful information about the craft. The publisher spared no expense on the book's production, either--every page is in color, with at least one color photo per page illuminating the text. Mr. Birn's experience and insight are not to be underestimated, and this book is not to be missed. --Mike Caputo
From the Back Cover
Digital Lighting contains strategies for lighting design that are relevant to any digital artist. It presents an awareness of computer lighting models, how they differ from real-world lighting effects, and how to approach 3D lighting projects differently from practical light. Topics covered include: What good lighting can do for you; Light sources; Shading; Shadows; Exposure and content; Color: temperature, correction, mood; Qualities of light; 3-point lighting; Indirect illumination; Multipass rendering and compositing; Lighting in production; and Case studies: natural lighting, interior lighting, character lighting, and effects lighting.
About the Author
Jeremy Birn is an expert Softimage and AliasWavefront user whose Web site is inundated with users seeking advice on lighting and animation. Most recently, Jeremy worked as Animation Director for Palomar Pictures, where he worked on such productions as the Honda Logo commercial, Robin Cook's Invasion mini-series, MTV's "ZooTV", the piranha commercial for Southwestern Bell, and more. Currently, he is a freelancer, promoting his "Secrets of Softimage 3D" video, which has been warmly received by the Softimage community.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Required reading for any 3d artist...
By Chris Esperian
Digital L&R is one of the best publications available for aspiring and seasoned 3d artists alike. The topics range from imaging fundamentals to advanced issues like HDRI, and all the content spanned is explained in such skill as to make even a process like proofing with a histogram seem like child's play. What few questions I had that weren't made completely clear by "DL&R" I was able to address in a discussion group hosted by the author's web site. It truly complements the [digital] line of 3d books, and I only wish that professional users of software like Maya & Houdini would write publications of equal caliber. It is extremely fast reading, and the actual book itself is wonderfully done, with every page a full-colour glossed stock, and loaded to the hilt with sample images to help elucidate the book's contents. The only reason I didn't give it the best rating is that the book does not come with a CD, and I had to visit Birn's site every so often for sample files referenced (but not required) in his text. A couple of the files referenced were MOV's, so it was annoying to be in the middle of a [paragraph] and then have to wait for a download to complete, especially with a dial-up connection. It's unfortunate that a lot of the valuable content on Birn's site, the beautiful step-by-step multi-passed rendering of the ant, for example, is not readily available on a companion CD. If "DL&R" included a disc even half as good as the book, it would raise the bar for CGI literature.
8 of 8 people found the following review helpful.
How to SEE the light and make your world look real!
By adepss
If you're a hobby 3D graphhics artist or thinking of entering into the world of computer graphics, then this book is an essential resource to give you that realism factor often missing in artists works seen today.
The Book is superbly presented in glossy paper format with excellently reproduced colour images that generously fill the book as examples of how to achieve the right lighting for that perfect shot you were trying to setup but till now had no idea of how to achieve it.
This volume is a how to for novice and advanced artist alike, brilliantly guiding you through the ins and outs of rendering the most perfectly realisticly shaded 3D image possible.
Chapters guide you through Lighting workflow, three point lighting, Shadows (a must),Qualities of light, Colour, Exposure, Composition and staging (worth the price of the book alone), Materials and rendering algorithms(tips to turn a good work into a masterpiece)and Compositing(the absolute icing on the cake).
There is a Lot one can learn from this volume and dare I say that it has to be if not the best then one of the very best presentations on this topic I've ever had the good fortune to study from.
2 of 2 people found the following review helpful.
Very good and very helpful
By Michael A. Barnes
I found Mr. Birn's book to be almost like an encyclopedia of information about 3d lighting and rendering. Although it does not go into expansive details on every point, I think the book gave me a much better overview of the complete process that lies behind successful 3d artwork. It lists basic approaches for a multitude of rendering situations, and also gives you alternatives which you can apply to overcome obstacles in production. I was very pleased by Mr. Birn's approach. If he had broken down each and every subject he introduced into endless detail, the book would be as thick and wordy as a college dictionary, and nowhere near as concise and helpful as it turned out to be. Anyone who is interested in a particular portion of the book can do a Web search and dig as deep as they please.I got the sense the book touched on ALL that is involved in 3d lighting and rendering. Thank you to Mr. Birn, for a book so well done.
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